SEARCH RESULTS FOR: Juan Hidalgo
1 of 2 Pages     Next ›

c. 1612–85, Spanish Most works by Juan Hidalgo, who was born in Madrid, were intended for church performance. However, Hidalgo was greatly attracted to Italian opera. While it would not have been acceptable for him to use the opera style in church music, he did introduce it into several of his secular songs and other vocal ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Juan Cristóbal Martín (b. 1948) was born in Málaga, Spain, and started learning the guitar at the age of six. In his early twenties he moved to Madrid to study under Nino Ricardo and Paco de Lucía. Martín was influenced by classic flamenco and the Spanish classical guitar tradition. His major influences included de Lucía, Tomatito and Andrés ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

1678–1721, German In 1705, Barthold Feind – whose real name was Aristobulos Eutropius or Aristobulos Wahrmund – was practising law in his home city, Hamburg, when he wrote his first libretto for Reinhard Keiser (1674–1739), Octavia. Keiser needed a replacement at this time, after the death of Christian Heinrich Postel, who had been his librettist ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1600–81, Spanish Pedro Calderón de la Barca, one of Spain’s greatest playwrights, made an important venture into the world of opera with his libretto for Juan Hidalgo’s (c. 1612–85) La púrpura de la rosa (‘The Colour of the Rose’, c. 1660) – the first Spanish opera performed in Madrid. The same year, Calderón provided Hidalgo with another ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

As part of the Renaissance (literally ‘rebirth’), which began in Italy in around 1450, the Baroque era was a revolution within a revolution. It saw a break from the Medieval view of humanity as innately sinful. Instead, Renaissance thinking cast individuals as a dynamic force in their own right and gave free rein to human imagination, ingenuity and ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

The word ‘Baroque’ is derived from the Portuguese barrocco, a term for a misshapen pearl, and it was still with this sense of something twisted that it was first applied – to the period between about 1600 and 1750 – in the nineteenth century. In 1768, Jean-Jacques Rousseau wrote: ‘a Baroque music is that in which the harmony ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Sturm und Drang (‘Storm and Stress’), a name taken from a play of the time, began as a literary movement that flourished in Germany and Austria in the second half of the eighteenth century. Easier to recognize than to define, its manifestations included the ‘horrid’ world of the Gothic novel and, in the visual arts, the paintings ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Unlike rock music, electronic music is made partly or wholly using electronic equipment – tape machines, synthesizers, keyboards, sequencers, drum machines and computer programmes. Its origins can be found in the middle of the nineteenth century, when many of electronic music’s theories and processes were conceived. In 1863 German scientist Hermann Ludwig Ferdinand von Helmholtz ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Classical ideals began to emerge and take shape in musical treatises in the late fifteenth century. One of the most famous exponents of this was Johannes Tinctoris (1430–after 1511), who, in his writings, claimed that music had been reborn in the works of John Dunstaple (c. 1390–1453) and his followers around 1440. Also central to Renaissance thinking about music ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Composed in 1787 and triumphantly premiered in Prague on 29 October that year, Don Giovanni reworks the old legend of the serial seducer, drawing on the Spanish play by Tirso de Molina (1630) and Molière’s Don Juan (1665). The opera revolves around the tensions of class and sex that were so central to Figaro. Ensembles and propulsive ‘chain’ finales ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Composed: 1866–69, completed by Cui and Rimsky-Korsakov 1870 Premiered: 1872, St Petersburg Libretto set directly to Alexander Sergeyevich Pushkin’s verse tragedy Act I Don Juan has been exiled from Madrid for murdering Don Alvaro, the commander. He has now returned in secret, accompanied by his servant Leporello, to see an old flame, the actress Laura. ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Fingerstyle master Adrian Legg (b. 1948) defies categorization. But though his music combines British folk, Celtic, rock, classical, blues, jazz and country sounds, Legg’s warm, soulful playing is the thread that unites the styles. Born in Hackney, London, England, Legg took the first steps of his musical journey playing the oboe ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Buddy Holly was born Charles Hardin Holley in Lubbock, Texas, on 7 September 1936. Buddy got a guitar in his mid-teens and started practising with friend, Bob Montgomery. They liked country and western but also had predilection for the blues. An Elvis gig in Lubbock in early 1955 alerted them to new possibilities. Buddy and Bob, as ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Khres’-tof Vil’-le-balt fun Glook) 1714–87 Bohemian composer Gluck was born in Erasbach, by the Czech-German border; his native language may well have been Czech. His father, a forester, was opposed to a musical career, but the boy left home at 13 to study in Prague, where he took musical posts and went briefly to the university. At ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1714–87, German Famous above all as the composer of Orfeo ed Euridice, Christoph Willibald von Gluck was, more than anyone, responsible for purging opera of what he dubbed the ‘abuses’ of opera seria in favour of ‘beautiful simplicity’, emotional directness and dramatic truth. From Bohemia to Vienna Born in the small town of Erasbach in the Upper ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie
1 of 2 Pages     Next ›

AUTHORITATIVE

An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

CURATED

Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

Rock, A Life Story

Rock, A Life Story

The ultimate story of a life of rock music, from the 1950s to the present day.

David Bowie

David Bowie

Fantastic new, unofficial biography covers his life, music, art and movies, with a sweep of incredible photographs.